GORGEOUS LIGHTING

on Ideeli today:

THIS WEEK'S INSPIRATION

In this household, any decision-making process is accompanied by a spreadsheet. After weeks of internet research on (what seems like) every possible venue in Massachusetts and Rhode Island, we've finally condensed the information overload into one nice, concise, organized... and totally overwhelming spreadsheet. It's become clear that, rather than fantasizing about Monique Lhuillier and gorgeous letterpressed paper, my time would be better spent writing emails to venues and caterers. But lest I get too caught up in the prices and practicalities, I need to periodically remind myself what we really want: a beautiful, elegant party to celebrate us. 

a destination wedding reception in Italy

vintage wedding dress

wedding at Eolia Mansion in CT

crocheted gloves

coordinating silvery bridesmaids dresses

chinoiserie wallpaper via Martha Stewart

a destination wedding reception in Guatemala via Style Me Pretty

a custom-designed corset

adorable ring box, from The Fonz' daughter's wedding
incredible print by Seb Lester inspired by a quote from Van Gogh (the lines are filled with tiny stars!)
floral crown*
Moroccan style tent from Raj Tents
one of our favorite invitation suites, via Oh So Beautiful Paper
Alessandro Botticelli, The Wedding Banquet (1482-83)
champagne flags
envelope by Spark Letterpress, via Brooklyn Bride

IT BEGINS

As I'm sure you can all guess, my second-favorite activity for the past few weeks has been reading wedding blogs (the first is catching my now-fiancée grinning at my ring while I'm not looking). Despite the fact that we've been basically-engaged for years, I've had a strict no-thinking-about-weddings policy. So it comes as no surprise that I wasted no time jumping headfirst into all the wedding blogs and magazines I've seen referenced on my favorite blogs but always forced myself to ignore.

After a few weeks of this, I'm totally paralyzed with over-inspiration and a (probably self-destructive) desire to make our wedding perfect and unique. I don't know why my first response wasn't to just start blogging all my favorite images (the original purpose of this blog was, after all, to write out my ideas and obsessions and thereby - ideally - gain some perspective and clarity). But better late than never, right? So I think I'll start posting weekly favorite wedding inspiration boards. For the time being, these are NOT going to be curated collections of images; they won't have color or style themes, and won't represent inspiration for any single wedding. Like this one, they'll just be things that have particularly caught my attention but don't necessarily go together. Maybe - fingers crossed - this will help me choose favorites and make decisions, and eventually these will turn into mood boards for our real wedding.

clockwise from upper right:
Temple of Love at Larz Anderson Park in Brookline, MA (an actual ceremony venue option!)
a private estate in Newport, MA
save-the-dates via Oh So Beautiful Paper
Adolphus Busch Hall, Harvard (an actual reception venue option!)
invitations via The Indigo Bunting
cameo ring - ?
Vera Wang gown
bouquet - ?
color scheme - ?
Reem Acra gown (my current favorite, I think...)
bridesmaids via Martha Stewart Weddings
succulent arrangement - ?

LIFE

has been a bit of a whirlwind lately. In a good way:

In related news, this will be turning into a wedding blog in 3...2...1...

ROCK STARS: AGATE & GEODE ROUNDUP

Agate, malachite and other minerals have been used to create beautiful decorative objects for thousands of years. Agate is actually the most popular gemstone used to carve cameos (look for a cameo roundup on the blog sometime soon!). Prized for its durability, it was often carved into thin pieces and combined with gold or other precious metals to create delicate but sturdy repositories for valued objects. 

left to right, all from the collections of the Metropolitan Museum of Art:

Box for rouge and patches. English, ca. 1760. (38.50.6 a-c)

Watch, Charles Bobinet (ca 1610-1678). Swiss, mid-17th century. (17.190.1617)

Cup, standing with cover. French, mid-17th century, finial 19th or early 20th. (32.100.241a, b)

Banded agate amphoriskos (perfume bottle). Early Imperial Roman, late 1st century B.C. – early 1st century A.D. (2001.253)

Many modern takes on this trend emphasize its glamorous aspects – sparkly geodes, large-scale patterns, bright colors – but these antiques and antique-inspired pieces highlight the elegant simplicity of these natural materials:

clockwise from upper left:

Victorian agate 10k gold pendant, $195 at Ruby Lane

Antique deep blue agate and silver box, $85 at Ruby Lane

Victorian agate cufflinks, $100 on Ebay

Late 19th century banded agate snuff box, $125 at Ruby Lane

Tigela agate bowl, $55 at Rablabs

Agate celestial globe, $149.99 on Ebay

Victorian moss agate box with filigree setting, $105 on Ruby Lane

Small malachite box, $35 at Wild Iris Market

It's no secret that this blog is a year or so late to the game in talking about this particular trend. It's certainly not that I didn't notice it as it began. It's just that, honestly, I didn't much like it. Plenty of blogs wrote about rock crystal lamps and geode bookends. I'm not a fan of the former, and the latter took a while to grow on me. What actually peaked my interest was this necklace that I bought on clearance this winter at Madewell, a delicate, unpolished-but-elegant raw crystal pendant that also happens to go with everything.

Exploring this raw mineral idea a little further, I started to get past my former dislike and was intrigued by the contrast between raw, jagged forms and sparkly, polished and glam finishes. I found some other pendants that caught my eye...

clockwise from right:

Surrounded single roped earthy geode necklace, $145 by Brook&Lyn

Jefferson necklace, $84 by Stone & Honey

Marbled stone pendant necklace, $9.80 at Forever21

Karli necklace, $215 by Jasmine Pannamma

...and then promptly started exploring what other agate and geode pieces the internet had to offer. My interest was already peaked by this point, but a trip to the Harvard Museum of Natural History and its fantastic mineralogical and geological gallery clinched my decision to make this roundup!

clockwise from upper right:

Platinum drusy stud earrings, $200 at Pade Vavra

24k gold-encased plum and blue geode earrings, $86 by irisjewelrydesign on Etsy

Custom geode cufflinks in sterling silver, $160 by elseetee2 on Etsy

Mexican agate ring, $428 at Free People

Tourmaline slice shower earrings, $2910 by Jacquie Aiche

Kimberley McDonald 18k white gold geode and diamond earrings, £7885 at Browns

Agate geode and diamond ring, $2450 at Vivre

Lady Grey geode earrings, $176 at Dear Fieldbinder

Geode bookends have certainly been one of the most popular manifestations of the trend, but that isn't the only option you have to bring a little bit of this into your home. I'm particularly in love with the lamp finial, the malachite plates, the amazing rug, and the one-of-a-kind malachite-patterned chair. If you want your own version, the (to the trade) fabric is "gemstone" by Tony Duquette for Jim Thompson fabrics.

clockwise from upper left:

"Geode" rug (detail), £80 by Mother of Pearl Atelier

Agate candle holders, $110 at A+R Store

Sliced agate mini frame, $50 at Plantation

Agate 3-ring binder, $20.10 at Zazzle

Nature exploration agate notebook by Oh Joy!, was $13.50 (sold out)

Etage rug by Studio Bijoux via Design Milk

Agate cheese plates, $60 & $75 at Jayson Home and Garden

Crazy Lace agate fantasy poster, $22.70 at Zazzle

Tony Duquette / Belvedere "Malachite" chair at 1st Dibs

Malachite plates by D.L. & Co. via The Peak of Chic

Malachite pattern by Gibson Designs, $16.99 / 5-piece setting at Replacements, Ltd.

Agate clock, $85 at Vivre

Cobalt blue geode lamp finial, $8.75 at Lamp Finials

Aqua agate bookends, $17.50 on Ebay

Joia agate ornaments, $44/6 at Rablabs

Pink bookends, from $18.95/pair at Phoenix Orion

Brazilian blue agate plate/coaster, $25 at Rain Collection

Leave it to Alexander McQueen to be one of the first fashion designers to make a dress printed with the patterns found in natural minerals. The idea is certainly a little slower to catch on in fashion than in jewelry design or home décor, but if Matthew Williamson's brand new gown is any indication, we very well may be seeing more of it in the future. It doesn't look like this trend is going anywhere soon!

clockwise from upper left:

Agate scarf by Richard Weston Studio for Liberty, image via here

Agate bag, screen-printed by anorthwind on Flickr (check out the lining, too!)

Alexander McQueen agate print chiffon scarf, Saks (sold out)

Richard Sorger dress, S/S 2009

Alexander McQueen agate print dress via Polyvore

Geode dress by Carrie Hayes, S/S 10, via The Fashion Gazer

Matthew Williamson agate chiffon gown via Polyvore

IN WHICH I RETURN, BEARING GIFTS

Namely, lots of cheap fabric. I kind of gave up on the blog there for a while, but I promise that I'm back in full force from now on. I have a new job that will keep me a little busier than I was before, but I'm slowly working on some updates around the apartment and I have a huge list of partially finished future posts. 

I found myself on fabricguru.com last week, a site that I've browsed in the past. It's not the most organized or well-designed site, but there are a lot of hidden (cheap!) gems if, like me, you have some patience procrastination skills. Many of their fabrics are particularly inexpensive because they're sold as pre-cut pieces. This time I found lots of fantastic fabrics, many of which I hadn't seen before. Here are my favorites, some of which are under $5/yd!

by rows, top to bottom:

Robert Allen Cat's Cradle, $4.95/yd

P. Kaufmann drapery fabric, $8.98 for 1.2 yds

Kravet Greek Maze, $36.98 for 5.2 yds

Kravet tapestry fabric, $17.98 for 2.1 yds

Mill Creek Greek Key drapery fabric, $23.98 for 4 yds

Bonzai Damask upholstery fabric, $14.99 for 3.2 yds

Duralee upholstery fabric, $17.98 for 1.8 yds

Cabo upholstery fabric, $40.98 for 5.8 yds

Richloom Chainlink, $22.95/yd

Wyatt Damask upholstery fabric, $23.95/yd

Thibaut Courtyard, $31.98 for 1.6 yds

Barrow Yuma, $28.95/yd

by rows, top to bottom:

Richloom Emily in charcoal, $21.95/yd

Richloom Emily in grapevine, $21.95/yd

Richloom Lucy in eden, $11.95/yd

Richloom Lucy in chocolate, $4.98 for 1 yd

Richloom Mirth in lark, $!5.95/yd

Richloom Mirth in bouquet, $15.95/yd

Richloom Campione, $5.95/yd

Richloom Mirth in licorice, $15.95/yd

P. Kaufmann Jacobean, $13.98 for 2 yds

Richloom Invigorate, $4.95/yd

Richloom Katherine, $21.95/yd

Robert Allen Scenic Flora, $16.95/yd

I can picture that last one working as a poor man's version of the most amazing bench in existence:

by rows, top to bottom:

Richloom Modesto, $79.98 for 20 yds

Robert Allen Khanjali in glacier, $15.95/yd

Robert Allen Khandar in cinnabar, $12.95/yd

Robert Allen Khandar in indigo, $12.95/yd

Robert Allen Khanjali in peacock, $15.95/yd

Robert Allen Khandar in jewel, $12.95/yd

Ikat tapestry fabric, $182.98 for 18.2 yds

Richloom Cornwall Suzani in garden, $17.95/yd

Richloom Calder Suzani in linen, $85.98 for 14.1 yds

Richloom Calder Suzani in licorice, $17.95/yd

by rows, top to bottom:

Richloom Giraffe, $23.95/yd

Richloom Ridges, $24.98 for 6.2 yds

Robert Allen Timberland, $29.98 for 3 yds

Mill Creek drapery fabric, $11.99 for 4 yds

Osborne & Little Theorem, $26.98 for 1.8 yds

Kravet Fretwork, $39.98 for 5 yds 

There's been some talk around the blogosphere lately about what is passé, whether we should care, and whether that sort of judgment can really be valid when 99.9% of the world has never seen/heard of said motif/pattern/style/concept. As far as I know, my audience on this blog thus far consists of my lovely, loyal friends who are not weird design obsessives like me. So most of you have probably never heard of Kelly Wearstler's Imperial Trellis, and therefore don't know that it's been declared over by all the cool design people.

I still like it, okay? So I was a little excited when I came across this in my fabricguru.com travels:

Richloom Cleopatra, $17.95/yd

– albeit a little disappointed that they seem to only carry it in poop color. A few minutes of googling later, behold – pretty colors! It certainly can't be used to the same effect as the real thing (it seems to be much smaller-scale and it's chenille) but I think the aqua & green colorway could look absolutely adorable on a cute chair!

here, here, and here

Do you love any of these fabrics as much as I do? What would you use them for? 

FAMILY PHOTOS

I do realize that I fail miserably at regularly posting, the #1 item on all how to have a successful blog lists. Consider this my plea for forgiveness regarding my recent disappearance. I drove to Central New York this past weekend to visit my parents and came home with a box of many hundreds of family photos to scan and organize. This is a taste of what's been keeping me busy during all my waking hours (that aren't spent at my real job) over the past few days:

my grandmother and her sisters

my grandfather looking dapper in spectator shoes

my grandmother with her friends

my grandmother at the beach with friends

my uncle as a baby (on an absolutely fabulous couch!), 1942

my mother in May 1948, 5 years old

my mother and my uncle, summer 1949

my mother as a bridesmaid in a friend's wedding, August 1967

my mother, my sister and her friend, early 70s (I love that blouse and those huge wide-leg pants!)

More design-related posts soon. Or maybe I'll just keep posting photos of all the fabulous things my relatives wore before I was born...

PATTERNS AND TEXTURES

I'm in the process of helping some friends with their apartment, and it's finally starting to come together after many months. Though it's far from done, we've now purchased almost everything and I'm starting to see how the colors and textures will look side-by-side. There are still some decisions to be made, but here are some mockups of the fabrics, paint colors and accessories that each room might contain:

DINING ROOM

BEDROOM

LIVING ROOM

Since the budget is super limited, each space is being decorated around the few things they already had and whatever we could scrounge for free. More pictures to come!

GOOGLE ART PROJECT

I know this is probably old news by now, but a couple of days ago Google released Art Project, which allows you to explore seventeen museums around the world and zoom in to specific paintings in incredible detail.

Admittedly, only some of it is truly innovative. Most museums have their collections online, where you can often zoom into them in comparable detail; the way that Google Art Project is consolidating pieces of these collections on one website is really just a glorified and limited ArtStor for the public. 

The "gigapixel artworks," however, are an interesting addition to public resources for art education. I read one article expressing outright disdain for the museums' choice of which artworks to choose for this "gigapixel" close-up. I can't really disagree more with the author's opinion that the "selection is perverse." Most museums very rightly chose pieces that would benefit from this sort of viewing - in other words, instances where the technology adds something to the viewer's experience of the piece because of the physical texture of the painted surface.* The ability to actually explore a museum just as they could previously explore a city with Google Street View is of course lots of fun - but the low-quality images and the difficulty of moving around are some reasons that this will give us much cause to worry that museums are going to have a hard time getting people in their physical doors. It's a fun and tantalizing taste, but not enough to really fill you up.

It certainly isn't helping me get over New York, though, when I can "walk" through some of my favorite rooms in the Met...

and visit an old favorite at the Frick in stunning detail.

detail, Rembrandt Harmensz. van Rijn, Self-Portrait. 1658. The Frick Collection, New York.

Even better is having the chance to examine some that I won't be able to visit in person for a long time.

detail, Pieter Bruegel the Elder, The Dutch Proverbs. 1559. Gemäldegalerie, Berlin.

detail, Caspar David Friedrich, Der Mönch am Meer (Monk by the Sea). 1808-1810. Alte Nationalgalerie, Berlin.

detail, Jan Van Eyck, The Madonna in the Church. ca. 1438. Gemäldegalerie, Berlin.

* this quote from the Telegraph article particularly galls me: "The Museo Reina Sofia in Madrid opts for a Cubist composition by Juan Gris instead of Picasso’s Guernica, which, for many people, is the only reason they actually visit the museum in the first place". I'm sorry, should museums be encouraging people to come to a museum only to see that piece they heard was really famous? Should we not be trying to educate visitors about the non-"highlights" - the works that they don't already know - and demonstrate the reasons why those works are equally worthy of their attention? And, beyond that, is it not clear that the Reina Sofia chose the Gris because it's a multimedia collage whose small details of texture are only visible at that level of zoom?

NEW-TO-ME FABRIC

I found this fabric the other day and I am in love. I've been looking for the perfect print to recover the currently very boring white chair in my living room...

What do you think? A good option? 

If that colorway doesn't do it for you, here are the others: